Bibliography for Book History

Prepared by Molly Des Jardin (mdesjardin@gmail.com)

Table of Contents

Anthologies, Collecting, and Reprinting

Aitken, Kristen Tate. "The Afterlife of Fiction: Reprinting the Nineteenth-Century British Novel." PhD diss., Columbia University, 2008.

Anesko, Michael. "Collected Editions and the Consolidation of Cultural Authority: The Case of Henry James." Book History 12 (2009): 186-208.

Benedict, Barbara M. Making the Modern Reader: Cultural Mediation in Early Modern Literary Anthologies. Princeton: Princeton University Press, 1996.

Kanazashi, Kiyoshi. "Tōkoku ikō no unmei." Shomotsu tenbō 5(1) (January 1935): 19-24.

Lerer, Seth. "Medieval English Literature and the Idea of the Anthology." PMLA 118(5) (October 2003): 1251-1267.

Nakayama, Hiroaki. "Ikō’ to ‘zenshū’ no aida: ‘kojin zenshū’ no hottan o megutte." Bungei to hihyō 7(6) (October 1992): 84-91.

Mack, Edward. Manufacturing Modern Japanese Literature: Publishing, Prizes, and the Ascription of Literary Value. Durham: Duke University Press, 2010.

Nash, Andrew. The Culture of Collected Editions. New York: Palgrave Macmillan, 2003.

Odber de Baubeta, Patricia. The Anthology in Portugal: A New Approach to the History of Portuguese Literature. Oxford and Benn: P. Lang, 2007.

Price, Leah. The Anthology and the Rise of the Novel: From Richardson to George Eliot. Cambridge, New York: Cambridge University Press, 2000.

Rickett, Adele Austin. "The Anthologist as Literary Critic in China." Literature East & West 19 (1975): 146-165.

Shields, Anna M. Crafting a Collection: The Cultural Contexts and Poetic Practice of the Huajian ji 花間集 (Collection from Among the Flowers) Cambridge, Mass: Harvard University Asia Center, 2006.

Wixted, John Timothy. "The Kokinshū Prefaces: Another Perspective." Harvard Journal of Asiatic Studies 43, no. 1 (June 1983): 215-238.

Authorial Identity

Bell, Bill. "Beyond the Death of the Author: Matthew Arnold's Two Audiences 1888-1930." Book History 3 (2000): 155-165.

Brooks, Douglas A. From Playhouse to Printing House: Drama and Authorship in Early Modern England. New York: Cambridge University Press, 2000.

Curaru, Carmela. Nom de Plume. New York: Harper, 2011.

D'Lugo, Marvin. "Authorship and the Concept of National Cinema in Spain." Cardozo Arts and Entertainment Law Journal 10, no. 2 (1992): 591-606.

Ehnenn, Jill R. Women's Literary Collaboration, Queerness, and Late-Victorian Culture. Burlington, VT: Ashgate, 2008.

Faflik, David. "Authorship, Ownership, and the Case for Charles Anderson Chester." Book History 11 (2008): 149-167.

Gallop, Jane. The Deaths of the Author: Reading and Writing in Time. Durham and London: Duke University Press, 2011.

Gardiner, Juliet. "Recuperating the Author: Consuming Fictions in the 1990s." Papers of the Bibliographical Society of America 94 (2000): 255-274.

Garvey, Ellen Gruber. "Anonymity, Authorship, and Recirculation: A Civil War Episode." Book History 9 (2006): 159-178.

Gere, Anne Ruggles. "Common Properties of Pleasure: Texts in Nineteenth Century Women's Clubs." In The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke University Press, 1994.

Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. Chicago and London: Chicago University Press, 1980.

Harth, Erica. "The Salon Woman Goes Public ... Or Does She?" In Going Public: Women and Publishing in Early Modern France. Ed. Elizabeth C. Goldsmith and Dena Goodman. Ithaca: Cornell University Press, 1995.

Haynes, Christine. "Reassessing 'Genius' in Studies of Authorship: The State of the Discipline." Book History 8 (2005): 287-320.

Koestenbaum, Wayne. Double Talk: The Erotics of Male Literary Collaboration. New York: Routledge, 1989.

Kunio, Asaoka. 'Chosha' no shuppanshi - kenri to hōshū o megutte. Tokyo: Shinwasha, 2009.

Laird, Holly A. Women Coauthors. Urbana: University of Illinois Press, 2000.

London, Bette Lynn. Writing Double: Women's Literary Partnerships. Ithaca: Cornell University Press, 1999.

Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge, New York: Cambridge University Press, 1997.

McWhirter, David. Henry James's New York Edition: The Construction of Authorsihp. Stanford: Stanford University Press, 1995.

Murray, Timothy. Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France. New York: Oxford University Press, 1987.

Newbury, Michael. Figuring Authorship in Antebellum America. Stanford: Stanford University Press, 1997.

Patten, Robert L. "When Is a Book Not a Book?" In The Book History Reader, 2nd edition. Ed. David Finkelstein and Alistair McCleery. New York: Routledge, 2006.

Stillinger, Jack. Multiple Authorship and the Myth of the Solitary Genius. New York: Oxford University Press, 1991.

Woodmansee, Martha. "On the Author Effect: Recovering Collectivity." In The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke University Press, 1994.

Canon-Formation and the Literary Field

Aitken, Kristen Tate. "The Afterlife of Fiction: Reprinting the Nineteenth-Century British Novel." PhD diss., Columbia University, 2008.

Anderson, Mark. "National Literature as Cultural Monument." In New Directions in the Study of Meiji Japan. Ed. Helen Hardacre and Adam L. Kern. Leiden, New York, Köln: Brill, 1997. 45-59.

Bell, Bill. "Beyond the Death of the Author: Matthew Arnold's Two Audiences, 1888-1930." Book History 3 (2000): 155-165.

Baym, Nina. Novels, Readers, and Reviewers. Ithaca: Cornell University Press, 1984.

Codell, Julie. "Serialized Artists' Biographies: A Culture Industry in Late Victorian Britain." Book History 3 (2000): 94-124.

Davidson, Cathy N. Revolution and the Word. New York: Oxford University Press, 1986. (Note: Mary Elizabeth Berry's Japan in Print, conceptually related to this book.)

DeJean, Joan. "The (Literary) World at War, or, What Can Happen When Women Go Public." In Going Public: Women and Publishing in Early Modern France. Ed. Elizabeth C. Goldsmith and Dena Goodman. Ithaca: Cornell University Press, 1995. 116-128.

De Jean, Joan. Tender Geographies: Women and the Origins of the Novel in France. New York: Columbia University Press, 1991.

De Weerdt, Hilde. "Canon Formation and Examination Culture: Te Construction of Guwen and Daoxue Canons. Journal of Sung-Yuan Studies 29 (1999): 91-134.

Guillory, John. Cultural Capital: The Problem of Literary Canon Formation. Chicago: University of Chicago Press, 1993.

Kramnick, Jonathan Brody. Making the English Canon: Print-Capitalism and the Cultural Past, 1700-1770. Cambridge, New York: Cambridge University Press, 1998.

Mack, Edward. Manufacturing Modern Japanese Literature: Publishing, Prizes, and the Ascription of Literary Value. Durham: Duke University Press, 2010.

Price, Leah. The Anthology and the Rise of the Novel: From Richardson to George Eliot. Cambridge, New York: Cambridge University Press, 2000.

Ross, Trevor. The Making of the English Literary Canon: From the Middle Ages to the Late Eighteenth Century. Montreal and Kingston: McGill-Queens University Press, 1998.

Tompkins, Jane. Sensational Designs: The Cultural Work of American Fiction, 1790-1860. New York: Oxford University Press, 1985.

Zionkowski, Linda. "Territorial Disputes in the Republic of Letters: Canon Formation and the Literary Profession." The Eighteenth Century: Theory and Interpretation 31 (1990): 3-22.

Communication, Public Sphere, and History of Ideas

The Field of Book History

Global Book History

China

Alford, William P. To Steal a Book is an Elegant Offense: Intellectual Property Law in Chinese Civilization. Stanford: Stanford University Press, 1995.

Børdahl, Vibeke and Margaret B. Wan, eds. The Interplay of the Oral and the Written in Chinese Popular Literature. Copenhgen: NIAS, 2010.

Brokaw, Cynthia J. and Kai-Wing Chow, eds. Printing and Book Culture in Late Imperial China. Berkeley: University of California Press, 2005.

Chia, Lucille and Hilde De Weerdt, eds. Knowledge and Text Production in an Age of Print: China, 900-1400. Leiden, Boston: Brill, 2011.

Hilde De Weerdt. "Canon Formation and Examination Culture: Te Construction of Guwen and Daoxue Canons. Journal of Sung-Yuan Studies 29 (1999): 91-134.

Judge, Joan. Print and Politics: 'Shibao" and the Culture of Reform in Late Qing China. Stanford: Stanford University Press, 1996.

Rickett, Adele Austin. "The Anthologist as Literary Critic in China." Literature East & West 19 (1975):146-165.

Shields, Anna M. Crafting a Collection: The Cultural Contexts and Poetic Practice of the Huajian ji 花間集 (Collection from Among the Flowers) Cambridge, Mass: Harvard University Asia Center, 2006.

Yu, Pauline, Peter Bol, Stephen Owen, and Willard Peterson, eds. Ways With Words: Writing about Reading Texts from Early China. Berkeley: University of California Press, 2000.

Japan

Domier, Sharon. "From Reading Guidance to Thought Control: Wartime Japanese Libraries." Library Trends 55, no. 3 (Winter 2007): 551-569.

Goble, Andrew Edmund, Kenneth R. Robinson, and Haruko Wakabayashi, eds. Tools of Culture: Japan's Cultural, Intellectual, Medical, and Technological Contacts in East Asia, 1000-1500s. Ann Arbor: Association for Asian Studies, 2009.

Groemer, Gerald. "Singing the News: Yomiuri in Japan during the Edo and Meiji Periods." Harvard Journal of Asiatic Studies 54, no. 1 (Jun 1994): 233-261.

Heldt, Gustav. The Pursuit of Harmony: Poetry and Power in Early Heian Japan. Ithaca: Cornell University East Asia Program, 2008.

Kan, Satoko. Media no jidai - Meiji bungaku o meguru jōkyō. Tokyo: Sōbunsha, 2001.

Kanazashi, Kiyoshi. "Tōkoku ikō no unmei." Shomotsu tenbō 5(1) (January 1935): 19-24.

Kunio, Asaoka. 'Chosha' no shuppanshi - kenri to hōshū o megutte. Tokyo: Shinwasha, 2009.

Lurie, David. Realms of Literacy: Early Japan and the History of Writing. Cambridge, Mass.: Harvard University Asia Center, 2011.

Mack, Edward. Manufacturing Modern Japanese Literature: Publishing, Prizes, and the Ascription of Literary Value. Durham: Duke University Press, 2010.

Rubinger, Richard. Popular Literacy in Early Modern Japan. Honolulu: University of Hawai'i Press, 2007.

Welch, Theodore F. Libraries and Librarianship in Japan. Westport, CT: Greenwood Press, 1997.

Wada, Atsuhiko. Shomotsu no nichibei kankei: Riterashi-shi ni mukete. Tokyo: Shin'yōsha, 2007.

Wixted, John Timothy. "The Kokinshū Prefaces: Another Perspective." Harvard Journal of Asiatic Studies 43, no. 1 (June 1983): 215-238.

Korea

Lee, Pongsoon. Libraries and Librarianship in Korea. Westport, CT: Greenwood Press, 1997.

Latin America

Odber de Baubeta, Patricia. The Anthology in Portugal: A New Approach to the History of Portuguese Literature. Oxford and Benn: P. Lang, 2007.

Native American

Libraries and Collections

Domier, Sharon. "From Reading Guidance to Thought Control: Wartime Japanese Libraries." Library Trends 55, no. 3 (Winter 2007): 551-569.

Lee, Pongsoon. Libraries and Librarianship in Korea. Westport, CT: Greenwood Press, 1994.

Welch, Theodore F. Libraries and Librarianship in Japan. Westport, CT: Greenwood Press, 1997.

Zhou, Peter X. Collecting Asia: East Asian Libraries in North America, 1868-2008. Ann Arbor: Association for Asian Studies, 2010.

Literary and Intellectual Property

Alford, William P. To Steal a Book is an Elegant Offense: Intellectual Property Law in Chinese Civilization. Stanford: Stanford University Press, 1995.

Biagioli, Mario, Peter Jaszi, and Martha Woodmansee, eds. Making and Unmaking Intellectual Property: Creative Production in Legal and Cultural Perspective. Chicago: University of Chicago Press, 2011.

Feltes, N. N. "International Copyright: Structuring 'the Condition of Modernity' in British Publishing." Cardozo Arts and Entertainment Law Journal 10 (1991-1992): 535-.

Kunio, Asaoka. 'Chosha' no shuppanshi - kenri to hōshū o megutte. Tokyo: Shinwasha, 2009.

Loewenstein, Joseph. The Author's Due: Printing and the Prehistory of Copyright. Chicago: University of Chicago Press, 2002.

Moore, Benjamin S. "Reforming Authors: Censorship, Copyright, the Early English Novel." PhD diss., University of Iowa, 1992.

Price, Monroe E. and Malla Pollack. "The Author in Copyright: Notes for the Literary Critic." Cardozo Arts and Entertainment Law Journal 10 (1991-1992): 703-.

Rose, Mark. Authors and Owners: The Invention of Copyright. Cambridge, MA: Harvard University Press, 1993.

Rosenthal, Laura Jean. Playwrights and Plagiarists in Early Modern England: Gender, Authorship, Literary Property. Ithaca: Cornell University Press, 1996.

Saint-Amour, Paul K. The Copywrights: Intellectual Property and the Literary Imagination. Ithaca: Cornell University Press, 2003.

Saunders, David. Authorship and Copyright. London, New York: Routledge, 1992.

Swartz, Richard G. "Wordsworth, Copyright, and the Commodities of Genius." Modern Philology 89, no. 4 (May 1992): 482-509.

Woodmansee, Martha. "The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the 'Author'." Eighteenth-Century Studies 17, no. 4 (Summer 1984): 425-448.

Woodmansee, Martha and Peter Jaszi, eds. The Construction of Authorship: Textual Appropriation in Law and Literature. Durham: Duke University Press, 1994.

Kan, Satoko. Media no jidai - Meiji bungaku o meguru jōkyō. Tokyo: Sōbunsha, 2001.

Genette, Gérard. Paratexts: Thresholds of Interpretation. Cambridge, UK: Cambridge University Press, 1997.

Price, Kenneth M. and Susan Belasco Smith, eds. Charlottesville, VA: University Press of Virginia, 1995.

Smith, Helen and Louise Wilson, eds. Renaissance Paratexts. Cambridge, UK: Cambridge University Press, 2001.

Movable Type and the Printing Revolution

Peters, Julie Stone. Theatre of the Book 1480-1880: Print, Text, and Performance in Europe. Oxford: Oxford University Press, 2000.

The Novel

Aitken, Kristen Tate. "The Afterlife of Fiction: Reprinting the Nineteenth-Century British Novel." PhD diss., Columbia University, 2008.

Baym, Nina. Novels, Readers, and Reviewers. Ithaca: Cornell University Press, 1984.

De Jean, Joan. Tender Geographies: Women and the Origins of the Novel in France. New York: Columbia University Press, 1991.

Price, Leah. The Anthology and the Rise of the Novel: From Richardson to George Eliot. Cambridge, New York: Cambridge University Press, 2000.

Orality

Børdahl, Vibeke and Margaret B. Wan, eds. The Interplay of the Oral and the Written in Chinese Popular Literature. Copenhgen: NIAS, 2010.

Publishing, the Market, and Authorship

Brewer, John. "Authors, Publishers, and the Making of Literary Culture." In The Book History Reader, 2nd edition. Ed. David Finkelstein and Alistair McCleery. London, New York: Routledge, 2006.

Chia, Lucille. "Of Three Mountains Street: The Commercial Publishers of Ming Nanjing." In Printing and Book Culture in Late Imperial China. Ed. Cynthia J. Brokaw and Kai-Wing Chow. Berkeley: University of California Press, 2005.

Chia, Lucille. Printing for Profit: The Commercial Publishers of Jianyang, Fujian (11th-17th Centuries). Cambridge, MA: Harvard University Asia Center, 2002.

Easley, Alexis. First-Person Anonymous: Women Writers and Victorian Print Media, 1830-1870. Burlington, VT: Ashgate, 2004.

Goodman, Dena. "Suzanne Necker's Mélanges: Gender, Writing, and Publicity." In Going Public: Women and Publishing in Early Modern France. Ed. Elizabeth C. Goldsmith and Dena Goodman. Ithaca: Cornell University Press, 1995.

Jordan, John O. and Robert L. Patten, eds. Literature in the Marketplace: Nineteenth-Century British Publishing and Reading Practices. Cambridge, UK: Cambridge University Press, 1995.

Mack, Edward. Manufacturing Modern Japanese Literature: Publishing, Prizes, and the Ascription of Literary Value. Durham: Duke University Press, 2010.

McCleery, Alistair. "The Return of the Publisher to Book History: The Case of Allen Lane." Book History 5 (2002): 161-185.

Peters, Julie Stone. Theatre of the Book 1480-1880: Print, Text, and Performance in Europe. Oxford: Oxford University Press, 2000.

Ross, Marlon B. "Authority and Authenticity: Scribbling Authors and the Genius of Print in Eighteenth-Century England." In The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke University Press, 1994.

Skelton, Matthew. "The Paratext of Everything: Constructing and Marketing H. G. Wells's The Outline of History." Book History 4 (2001): 237-275.

Sutherland, John. Victorian Novelists and Publishers. Chicago: University of Chicago Press, 1976.

Tompkins, Jane. "Masterpiece Theater: The Politics of Hawthorne's Literary Reputation." American Quarterly 36, no. 5 (Winter 1984): 617-642. (See also Tompkins' Sensational Designs.)

Towheed, Shafquat. "Geneva v. Saint Petersburg: Two Concepts of Literary Property and the Material Lives of Books in Under Western Eyes." Book History 10 (2007): 169-191.

Turnovsky, Geoffrey. The Literary Market: Authorship and Modernity in the Old Regime. Philadelphia: University of Pennsylvania Press, 2010.

Wall, Wendy. The Imprint of Gender: Authorship and Publication in the English Renaissance. Ithaca: Cornell University Press, 1993. (Note: Similar in approach to Adrian Johns' The Nature of the Book.)

Reading, Reception, and Transmission

Baym, Nina. Novels, Readers and Reviewers: Responses to Fiction in Antebellum America. Ithaca, NY: Cornell University Press, 1984.

Benedict, Barbara M. Making the Modern Reader: Cultural Mediation in Early Modern Literary Anthologies. Princeton: Princeton University Press, 1996.

Bode, Katherine. Reading by Numbers: Recalibrating the Literary Field. London: Anthem Press, 2012.

Davidson, Cathy N. Reading in America: Literature and Social History. Baltimore: The Johns Hopkins University Press, 1989.

Freund, Elizabeth. The Return of the Reader: Reader-Response Criticism. London and New York: Meuthen, 1987.

Goldstein, Philip and James L. Machor, eds. New Directions in American Reception Study. Oxford: Oxford University Press, 2008.

Hackel, Heidi Brayman. Reading Material in Early Modern England: Print, Gender, and Literacy. Cambridge, UK: Cambridge University Press, 2005.

Jordan, John O. and Robert L. Patten, eds. Literature in the Marketplace: Nineteenth-Century British Publishing and Reading Practices. Cambridge, UK: Cambridge University Press, 1995.

Lurie, David. Realms of Literacy: Early Japan and the History of Writing. Cambridge, Mass.: Harvard University Asia Center, 2011.

Rubinger, Richard. Popular Literacy in Early Modern Japan. Honolulu: University of Hawai'i Press, 2007.

St. Clair, William. The Reading Nation in the Romantic Period. Cambridge, U.K.: Cambridge University Press, 2004.

Suleiman, Susan R. and Inge Crosman, eds. The Reader in the Text: Essays on Audience and Interpretation. Princeton: Princeton University Press, 1980.

Tompkins, Jane P. Reader-Response Criticism: From Formalism to Post-Structuralism. Baltimore: The Johns Hopkins University Press, 1980.

Social History of the Book

Chartier, Roger. The Order of Books. Stanford: Stanford University Press, 1994.

Davidson, Cathy N. Reading in America: Literature and Social History. Baltimore: The Johns Hopkins University Press, 1989.

Heldt, Gustav. The Pursuit of Harmony: Poetry and Power in Early Heian Japan. Ithaca: Cornell University East Asia Program, 2008.

Wada, Atsuhiko. Shomotsu no nichibei kankei: Riterashi-shi ni mukete. Tokyo: Shin'yōsha, 2007.

Theory

Moretti, Franco. "The Slaughterhouse of Literature." Modern Language Quarterly 61(1) (March 2000)

Visuality